@hiphopstudysunday with Frieda Frost
@hiphopstudysunday is an easy-to-access format on Instagram that presents literature and research about Hip Hop culture and breaking.
The hiphopstudysunday was initiated in early 2020, first on my personal Instagram and contiued with an until today.
Here are some posts from 2020, for more literature check the Instagram @hiphopstudysunday !
Gottschild, Brenda Dixon (2003): The Black Dancing Body. A Geography from Coon to Cool. New York: Palgrave Mcmillan.
Aprahamian, S. (2016): HipHop, Gangs and the Criminalization of African American Culture. A Critical Appraisal of Yes Yes Y´all" Journal of Black Studies, 50 (3), 298-315. Doi: 10.1177/0021934719833396
Johnson, I. K. (2009): Dark matter in b-boying cyphers: Race and global connection in hip hop. Dissertation. University of Southern California
📖 Thomas DeFrantz (2002): Daning Many Drums. Excavations in African American dance. Madison: University of Wisconsin Press.
📖 Thomas DeFrantz & Takiyah Nur Amin (2016): Talking Black Dance. In: Talking Black Dance: Insight Out, Outside In. Guest Editors Thomas DeFrantz & Takiyah Nur Amin. Conversations Across the Field of Dance Studies
📖 Frantz Fanon (2008 [1986]): Black Skin, White Masks. London: Pluto
📖 Paul Gilroy (1993): The Black Atlantic. Modernity and double consciousness. Cambridge: Harvard University Press
📖 Halifu Osumare (2002): Global Breakdancing and the Intercultural Body. Dance Research Journal 34 (2). p. 30-45.
🎥 Check the link (in bio) with an interview with Reni Eddo-Lodge about her book „Why I‘m No Longer Talking To White People About Race": https://m.youtube.com/watch?v=2vJZdeSqfFY
Johnson, I. K. (2016): From blues women to b-girls: performing badass femininity. Women & Performance: a journal of feminist theory. 24 (1) Issue 1: All Hail the Queenz. p. 15-28.
#studysunday TAKEOVER with Prof. Dr. Mary Fogarty (York University, Toronto, Canada)
Schloss, J. (2004): Making Beats. The art of sample-based Hip-Hop. Middletown, CT: Wesleyan University Press.
➡️ Sunday, 19.04.2020: Mary Fogarty: "Dance to the Drummer's Beat"
#studysunday Lockdown Edition
Fogarty, M. (2010): Dance to the Drummer´s Beat. Competing Tastes in International B-Boy/B-Girl Culture. PhD. University of Edinburgh.
Available by this LINK
➡️ Sunday, 12.04.2020
#studysunday SPECIAL
Moser-Kindler, Frague (2019): Dance Smart. Dance Concepts for all Hip-Hop Styles.
Available by this LINK
➡️ Sunday, 05.04.2020: Tricia Rose: "A Style Nobody Can Deal With"
#studysunday Lockdown Edition
Tricia Rose (1994): A Style Nobody Can Deal With. Politics, Style and the Postindustrial City in Hip Hop. In: Ross & Rose (Editors): Microphone Friends. Youth Music and Youth Culture. New York: Routledge
Available by this LINK
➡️ Sunday, 29.03.2020: Imani Kai Johnson: "Dark matter in b-boying cyphers"
#studysunday Lockdown Edition
Johnson, I. K. (2009): Dark matter in b-boying cyphers: Race and global connection in hip hop. Dissertation. University of Southern California
Available by this LINK
➡️ Sunday, 22.03.2020: Murray Foreman & Marc Anthony Neal: "The Hip Hop Studies Reader"
#studysunday Lockdown Edition
Foreman, M. & Neal, M. A. (Ed’s.) (2004/2011): That’s the Joint: The Hip Hop Studies Reader. New York: Routledge
Available by this LINK
➡️ Sunday, 15.03.2020: Jeff Chang: "Can´t Stop, Won´t Stop"
#studysunday
Chang, J. (2005): Can’t Stop, Won‘t Stop: A History of the Hip-Hop Generation. New York: St. Martin‘s Press.
➡️ Sunday, 08.03.2020
#studysunday
Rose, T. (1994): Black Noise. Rap Music and Black Culture in Contemporary America. Hanover: Wesleyan University Press.
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➡️ Trotz sorgfältiger inhaltlicher Kontrolle übernehme ich keine Haftung für die Inhalte externer Links. Für den Inhalt der verlinkten Seiten sind ausschließlich deren Betreiber verantwortlich.